
Hey, look what was waiting for me in the mailbox today.

Can't wait to watch it and listen the audio commentary.
I suppose we got here only the original cut, not the new one released in Germany with the prologue and so ?
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lhz wrote:Sometimes released titles has no logic. We could never had imagined that what I am considering as one of the pretty best editor in activity released a Dolph's back catalogue physically with such care.
lhz wrote:After watching THE MINION for the first time in HD thanks to the good folks from Kino Lorber (Classic label) I can say the editor bring is usual excellency to this modest, often disliked Dolph's vehicle and the least I can tell is that it was worth the expensive shipping and import fees !
The transfer reach the label of excellence yet still feel so natural. It feels really like a second birth for this movie and it felt like a little treasure, or even candy, to watch the police station sequence or the final in the church in HD and correct aspect ratio.
Jox wrote:According to Piché, there were disagreements between the producers, which may explain the existence of this newer cut.
JuV wrote:It's been a while since I watched the Kino release, but I do remember hating the audio track on it. Regular dialogue scenes were decent, but every time music was on or action was happening, all dialogue became entirely inaudible. Such a shame they didn't include a subtitle track on it because this definitely could've used one.
Jox wrote:Humm, it's been a couple years since I saw it as well, I usually watch movies with headphones and don't remember hearing that issue.
lhz wrote:Now you are mentioning it, your claim regarding the audio issue is totally correct. I was talking about video quality only on my statement and didn't recall this issue cause I noticed it right to the start when I watched it and switched immediately to my headphones and after that the problem was solved. But if you listen it through normal TV audio canal there is definitely a problem and they could have provide English or English SDH subs to face it.
This is the only cons regarding this release so far.
While stillness permits some clarity to dialogue exchanges, the track often deals with action, and such activity encourages a level of competition as elements battle for sonic control. Scoring is dialed up too high, frequently overwhelming performances, which also have a tendency to disappear when the actors speak in hushed tones. Lines are lost here and there.
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