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Sometimes you go into these little films expecting a mediocre little affair to waste some time, and other times you're surprised how good the film actually is, which is pretty much what happened here. Cover-Up is a film I've been wanting to see for ages, but just never got around to it. While it has been officially released on DVD for some time, in dreaded full frame, I still never got around to it for one reason or another. I just always meant to. But! That opportunity finally presented itself when The Punisher: The Untold Story of a Cult Classic author Jeremie Damoiseau let it be known that this film was finally given the HD and widescreen treatment and was finally available to stream via Amazon Prime. Sold! Let's dig in.
I knew going in that this was not going to be an action film. Basically all I knew, other than it was the second collaboration between Lundgren and Louis Gossett Jr. after The Punisher, was that it was a thriller, and it was directed by Manny Coto (Dr. Giggles, Dexter). What I wasn't prepared for honestly, was how good this was, and most importantly, how well made it would ultimately be. And that's an aspect that I'm sure not a lot of people put much stock in, but it's a huge deal to me. I notice. And that's an area where Cover-Up really shines. Director Manny Coto gives the film and it's visuals an aura of professionalism that you rarely see in these low-budget thrillers. I have to admit, on the surface, aside from an unnecessary nude scene, this could easily have been another run-of-the-mill Made-for-TV movie, because as Espionage Thrillers go, there's nothing really all that special about it. That's why things like impressive camera setups, solid editing and a professionals touch really go a long way with these types of films. Aesthetically, Cover-Up is fantastic and definitely one of the better and more impressive looking films in Lundgren's DTV output.
As far as stories go, it's good, unfolding as more of an Espionage Thriller rather than an Action Thriller, because as much as we had hoped, there's very little action. But the action there is, is done exceptionally well. I think what makes Cover-Up stand out from other films in Lundgren's career, especially where it sits in his filmography, sandwiched between action cult classics Dark Angel aka I Come in Peace and Showdown in Little Tokyo, Cover-Up is a stark contrast in that Dolph does no fighting, or kicking ass, or really using his brawn in general. Here he relies solely on his acting chops and he does an excellent job. If anything, I would consider this a pretty great example of his acting talents if you think all he has to offer are his muscles.
I don't really feel the need to mention how good Louis Gossett Jr. is because the man always delivers the goods 100%, and does not let us down here. He's just effortlessly great, and no matter the size of the budget or quality of the film, he frequently reminds of that he won an Oscar for his talents. He's just amazing, plain and simple.
I'm not saying Cover-Up will blow you away or that it's amazing, because it certainly has a few issues, like pacing and lack of thrills, but overall the film has so much else going for it that I can easily overlook those elements. It's a solid film, made exceptionally well, and if you're in the mood for a good looking 90's thriller set in the Middle East, it will certainly entertain.
Curious little side-note. This is the only film written by William Tannen, who directed some 80's classics such as the underrated Chuck Norris thriller Hero and the Terror, and the early 80's thriller Flashpoint.
Cover-Up is currently streaming in HD and widescreen for the first time ever on Amazon Prime.
JuV wrote:would love for the HD/widescreen version to get a physical release (same goes for Jill Rips).
Jox wrote:JuV wrote:would love for the HD/widescreen version to get a physical release (same goes for Jill Rips).
Ditto, especially since the HD master looks particularly good and do justice to the original photography in my opinion (which is faithful to the theatrical experience if I remember correctly from 30 years ago)...
A lot that can be criticised about this film but there's definitely something unique about it as well, and that set its apart from other movies in the genre. It really doesn't deserve such a bad reputation (and I stand by JILL RIPS in the same way too).
This was something of an oddity in Dolph Lundgren’s early CV. After his Punisher film stumbled on its US release, delayed and eventually heading straight to video, Lundgren’s early promise as a rising action hero seemed scuppered. Cover Up would fail to find a wide audience outside of Europe, hitting the video shelves, where Lundgren would soon become a popular mainstay. Where this film differs from his run and gun specials preceding it, is that Lundgren plays an investigative journalist looking to uncover the truth behind the suspicious deaths of two soldiers, not long after a military compound was raided and attacked. He’s tasked with a lot of dialogue in an early career attempt to branch out.
Soon he uncovers the disappearance of a chemical agent, military cover ups and double agents, all whilst finding himself increasingly under threat from hostiles. It’s not action heavy to put it mildly (but does feature a sterling Vic Armstrong constructed car chase), focusing on slow burn espionage in the vein of Jack Ryan. As such it never quite clicked with action aficionado’s expecting more Dolph destruction. Still, the Israeli settings, nefarious rain swept meetings in cars, and a love interest (who of course ultimately becomes a femme fatale) lend itself to plenty of neo noir aesthetics and double crossing. All it lacks was a stronger finish. Much like Payback, this one could really do with a decent Blu-Ray edition (most DVD editions tend to have bad transfers and are in 4:3 rather than the widescreen intended).
Lundgren’s early promise as a rising action hero seemed scuppered. Cover Up would fail to find a wide audience outside of Europe, hitting the video shelves, where Lundgren would soon become a popular mainstay
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