http://100.arri.com/interviews/filter/s ... sP6fO5gh8A

Moderator: Moderators
bomaz wrote:I might even watch it again in theater (with less noisy and talkative youth audience that we have in France on day one for mostly every movie).
The talented Swedish composer Ludwig Göransson experimented with different techniques to create a grandiose composition. Hip-hop combined with a traditional string orchestra and even a hint of '70s jazz instrumentation as a nod to the original Creed film.
180 gram audiophile vinyl
PVC protective sleeve
Printed innersleeve
Contains a mini-poster + exclusive sticker sheet with pics from the movie
Secret inscriptions in run-out groove
Three Limited and numbered editions; 500 copies on red vinyl, 500 copies on white vinyl and 500 copies on blue vinyl
Three Limited and numbered editions; 500 copies on red vinyl, 500 copies on white vinyl and 500 copies on blue vinyl
You also have to give massive props to Lundgren who carries off Ivan’s character development and emotional climax with surprising grace.
In fact, cementing that bond to the past is the return of Dolph Lundgren as Ivan Drago, whose character famously killed Adonis’ father Apollo Creed with a blow to the head in “Rocky IV”. Drago’s still a cardboard villain, but Lundgren goes to great lengths to make the character into a pathetic, seething object of resentment. When he surfaces for a “Heat”-like face-off with Rocky at his cosy Philadelphia diner, there’s a genuine thrill to the level of anger Drago feels after living as a punchline for decades. “That’s like a million years ago!” Rocky counters. “But just yesterday to me,” Drago shoots back, as Viktor sulks nearby. The only element missing is the insane jingoism of that Reagan-era propaganda piece, which oddly doesn’t translate our paranoia over a Russian takeover with today’s deserved anxiety over the same – You picture Trump at a press conference: “Drago’s fine. He’s fine. We’re all fine.”
With the return of Sylvester Stallone and a new lead in Michael B. Jordan, it was an impressive movie that both paid homage to Rocky’s legacy and also brought to life a relevant story for a 21st-century audience. “Creed II” is very conscious of its characters’ pasts and connections, and therefore of its own place in the franchise, as the eighth instalment of a series that’s been running since 1976.
Which means you’re going to get what you expect from a Rocky movie, including training montages full of sweat, grunting and that iconic Rocky theme — and close-ups of bulging muscles. “Creed II” is aware that you can never really escape what you came from, always carrying what came before for better or worse. Happily, “Creed II” is one of the better Rockyinstalments, if not the best.
CREED II
WB/MGM’s Rocky spinoff sequel weighed in with $12.1M this frame in 43 markets for a running cume of $5.1M. France had a strong No. 1 opening of $5.8M on 514 screens to come in 33% higher than the original. Russia notched a No. 3 start behind two local titles, at $1.08M (+82% ahead of Creed). The Top 5 markets are the UK ($12.7M), Australia ($6.2M), France, Mexico ($5.1M) and China ($2.5M). Up next are Germany, Italy, Brazil and Spain.
- Fathers & Sons
- Casting Viktor Drago
- The Women of CREED II
- The Rocky Legacy
- Deleted Scenes
Users browsing this forum: No registered users and 73 guests