lhz wrote:Just a post about this movie after almost 15 years since I first viewed it on my French edition dvd at the time. I didn't recon anything of it except some fugace flashes. So let's say it, I was a bit excited when my German blu ray was delivered to me (and yes I waited on purpose to get the standard case with original cover and not media book version) and knowing this was the first time ever releasing in HD added more fuel to my expectations.
First I'd like to give a little thumb up to the good folks of NSM for the quality of the overall edition ! The image is clean and beautifully remastered on HD yet still highly natural ! I was really impressed and didn't expect this level of exigency. I watched it on my 4K blu ray player with upscaling on my OLED TV and it was really stunning. Did NSM usually have this level of minuteness on the titles they own ?
Quick words about the movie, even if it is not the best Dolph's DTV and of course far from the standard-quality of his various directing efforts, it is highly superior to the usual bad level of movies we got from him at the time. So I think it must be re-place in the context of this particular dark times for Dolph fan.
Even if the movie obviously suffers from this Canadian TV production looks and have at some occasions low production value, there are still some nice moments with artsy vibes (the goodbyes with Sonny in the blizzard) and original one yet a bit bizarre (Dolph fantasm colorful moment) plus special mention for the cozy atmosphere you can feel on Jason Price's restaurant. And last but not least: good old real huge explosion with big blast and not bad CGI like nowadays.
So yes the pitch seems a lot more smarter than it really is with the complex-looking tech-geek sentences Dolph and his team throwing to the audience and the body-count is surprisingly low compare to the usual Dolph standard but I take it for what it is a good old DTV from a revolute era and from a hard career time for Dolph yet with a surprisingly good HD treatment for making it desirable for any Dolph's fan.
A last confidence, the cold frozen atmosphere of HIDDEN AGENDA made me think a lot about JILL RIPS at some moments (one of my fav Dolph-DtV ever) and the opening Men of War sequence too. We should debate one day about our favorite Swedish actor and his connection with winter he got in many of his movies
Thanks, lhz, and welcome back.
Maxim Roy from HA is currently in Roland Emmerich's MOONFALL...