Jox wrote:We try not to post screen captures, only official still photographs, unless it's for review purposes of a new release.
I'm sorry. Won't do that ever again...
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Jox wrote:We try not to post screen captures, only official still photographs, unless it's for review purposes of a new release.
leigh1975 wrote:No, the picture is pretty much even, but there isn't any of the special features
Jox wrote:Isn't it a re-release? I'm pretty sure Kinowelt already put it out on Blu-ray and uncut...
Sgt.AndreaScott wrote:It's not really a re-release, since the Kinowelt version's only available in Austria 'n' Switzerland, it's banned in Germany. I'm not an expert but they've some pretty strict censorship laws...
Yep, much better for clean conservation!Plus it's a steelbook edition. Maybe I'll buy it, I love steelbook editions.
Jox wrote:Very coool.
If you talk to Mr. Emmerich tell him to give me a call, I need to do an interview with him. Seriously he's not the easiest guy to get a hold of...
viendammage wrote: he was whisked away to a green room after the screening.
Emmerich had nothing but good things to say about his experience making Unisol. He had quit the Carolco, Stallone led, Isobar after 9 months. Mario Kassar was impressed with his willingness to walk away and offered him Universal Soldier which was running into pre-production problems. Emmerich asked to keep the general concept and the two stars but discard everything else. Kassar agreed and Emmerich got to work with Dean Devlin to bang out the new story. It had to come in under $20 million even though $7 million had already been spent. Emmerich was all smiles talking about Unisol, how it was first time he was in charge of a big production, everything went smoothly, it was a big success and launched his and Devlin's career.
I believe neither Carolco, Dolph or Jean-Claude were too happy about the first script and Andrew Davis's approach (who was in pre-production for it during one year). One Emmerich got on board, Devlin wrote a script in a month or two, the production was rolling, to start shooting only a few months later...Mario Kassar was impressed with his willingness to walk away and offered him Universal Soldier which was running into pre-production problems. Emmerich asked to keep the general concept and the two stars but discard everything else. Kassar agreed and Emmerich got to work with Dean Devlin to bang out the new story. It had to come in under $20 million even though $7 million had already been spent.
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