ONE IN THE CHAMBER (William Kaufman, 2012)

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Re: ONE IN THE CHAMBER - DolphUltimate.com Exclusive Report!

Postby leigh1975 on 29 Jul 2011, 18:01

Did anybody get to see/meet Cuba, or see them together off set?
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Re: ONE IN THE CHAMBER - DolphUltimate.com Exclusive Report!

Postby Krom on 31 Jul 2011, 12:05

leigh1975 wrote:Did anybody get to see/meet Cuba, or see them together off set?


We've seen him, but Dolph was our priority;)
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Re: ONE IN THE CHAMBER - William Kaufman (2012, in post-prod

Postby Jox on 18 Aug 2011, 00:00

with 2nd unit director Balazs Juszt
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2nd unit cinematographer Sai Selvarajan
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Re: ONE IN THE CHAMBER - William Kaufman (2012, in post-prod

Postby Jox on 01 Sep 2011, 16:08

Russell White is the editing the movie, and he's been cutting all the director William Kaufman's films until now. This a good sign because that means they have a good, trusting, working relationship together (and it's not like an editor has been imposed by the producers on the director).

I have no idea what to expect from this flick, could be an unexpected surprise (hope it's above the average Brad Krevoy / MPCA flicks)?
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Re: ONE IN THE CHAMBER (William Kaufman, 2012) (in post-prod

Postby Dragonrage on 23 Sep 2011, 19:48

Dont know was this posted...but here it is...

Image Image Image Image Image Image Image

Source
http://www.facebook.com/media/set/?set=a.128779943883287.28044.128251990602749
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Re: ONE IN THE CHAMBER - William Kaufman (2012, in post-prod

Postby MacGyver on 24 Sep 2011, 18:08

Jox wrote:Russell White is the editing the movie, and he's been cutting all the director William Kaufman's films until now. This a good sign because that means they have a good, trusting, working relationship together (and it's not like an editor has been imposed by the producers on the director).

I have no idea what to expect from this flick, could be an unexpected surprise (hope it's above the average Brad Krevoy / MPCA flicks)?


I think maybe Brad has finally seen the light! Have you seen AG? His best film in forever! Loved it! I'm actually looking forward to this! :D
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Re: ONE IN THE CHAMBER (William Kaufman, 2012) (in post-prod

Postby Jox on 24 Sep 2011, 19:21

Haven't seen ASSASSINATION GAMES (prefer to call it WEAPON) but heard good things about it, hopefully ONE IN THE CHAMBER delivers (and THE PACKAGE if they get to make it eventually).
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Re: ONE IN THE CHAMBER (William Kaufman, 2012) (in post-prod

Postby Jox on 25 Oct 2011, 00:19

Selected scenes will be shown at the American Film Market
Nov. 3rd - 3:00 PM - Ocean Screenings #1
Nov. 4th - 11:00 AM - Ocean Screenings #1
http://www.thefilmcatalogue.com/catalog ... p?id=11409
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Re: ONE IN THE CHAMBER (William Kaufman, 2012) (in post-prod

Postby Nathan on 25 Oct 2011, 13:01

Jox wrote:Selected scenes will be shown at the American Film Market
Nov. 3rd - 3:00 PM - Ocean Screenings #1
Nov. 4th - 11:00 AM - Ocean Screenings #1
http://www.thefilmcatalogue.com/catalog ... p?id=11409


Keep forgetting about this one, should be fun. I think scene's from Van Damme's Weapon were shown at the AFM last time?
"Are we having fun yet?" - Dolph Lundgren, Universal Soldier
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Re: ONE IN THE CHAMBER (William Kaufman, 2012) (in post-prod

Postby RIGGINS on 11 Nov 2011, 21:14

Is there any informaton about scences from the AFM?
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Re: ONE IN THE CHAMBER (William Kaufman, 2012) (in post-prod

Postby Jox on 14 Nov 2011, 14:01

http://www.variety.com/article/VR1118044961
Global shooting hot spot: Romania
American Film Market 2011: Territory Report

Romania continues to draw resourceful producers in need of dramatic backdrops and affordable crews -- and to its credit, it draws shoots such as MPCA projects "William & Kate: A Royal Love Story" and "One in the Chamber" and actioners including "Six Bullets" without the aid of tax incentives or rebates. Neither type of sweetener is in the cards in the foreseeable future but that hasn't slowed work from prolific MPCA, which has launched four productions at Bucharest's MediaPro Studios.
Instead of rebates, international co-production pacts are the ones drawing productions. These deals make pics eligible for public coin if they meet various criteria for percentages of crew or cultural content, and are increasingly the default budget formula.

Spanish TV 3D docudrama "Dracula Meets Stoker" and Austria's "Our Big Time" are recent examples, the latter partnering with local shingle LibraFilm, which typifies Romania's eagerness to work with outsiders. Indeed, U.S.-based producers can partner with Euro projects to take advantage of the local film support system if they can work within the setup's sometimes frustrating rules. Helping the process along, if indirectly, is the rise of Romanian production grants from the National Center for Cinema, which totals some $3.2 million this year, for which such co-productions should be eligible.

Orgs such as Romanian Film Promotion remain relatively healthy and active -- arguably an achievement at a time when those in neighboring countries have all but collapsed under burdens of debt and austerity measures.

Meanwhile, the busiest facilities, Castel and MediaPro, continue to hum with activity, and the latter has now become the source of growing slates of original programming for TV, in particular skeins for Central European Media Enterprises, the five-country web launched in the region in the mid-'90s by Ron Lauder.

Castel has been hosting several Hollywood projects, from Nicolas Cage starrer "Ghost Rider: Spirit of Vengeance" to History miniseries "The Hatfields and McCoys: An American Vendetta."

Alongside its 16 soundstages, MediaPro's post facilities in Bucharest, which now include advanced vfx and 3D suites with well-trained techs, attract projects in need of slick processing -- "Saw VII 3D" is one -- from modeling to compositing and Rotoscope work.

Crew depth is sound for at least two major productions.
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Re: ONE IN THE CHAMBER (William Kaufman, 2012) (in post-prod

Postby khurram112 on 18 Nov 2011, 10:45

From Dolph's Official Facebook page:
"It was great to get a chance to play opposite an academy award winner Cuba Gooding Jr. Cuba has an intensity as an actor which made me have to work for my money this time... I played a Russian hit man with a very colorful personality, who initially comes up against Cuba's character but later decides to join up with him against the reeeeally bad guys!"
/ Dolph


Dolph is a bad guy turned good guy with colourful shades in character.

Cool...
Dolph Still Kicks Ass...
Guess Who'll B Next !

Checkout http://kmdb.suddenlaunch3.com 4 reading/writing fiction movies / fiction news etc...
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