here are Bryan Hill's Q&A to my questions (makes more eager to see the movie!):
>- did Dolph came up to you with the story and hired you to write the
>script? did he first sell a story or treatment to Nu Image, or first
>developed it through his company Thor Pictures?
>
Dolph read a sample script of mine, and liking my pared down style, he
talked with me about developing what eventually became The Mechanik. Nu
Image and I worked out the details and then Dolph and I began development on
the story, first via telephone(I'm a New York City native), and then I flew
out to meet with him daily in Spain.
>- the story still sounds a lot like some previous Dolph movies, what did
>Dolph tell you he wanted to achieve with this movie? did he still tried to
>make a movie that would be a departure from his previous performances?
>
I believe that Dolph is an actor in the vein of McQueen and Eastwood. A
powerful screen presence, apart from the modern "pretty-boy" era we find
ourselves in. Dolph and I agreed on bringing back the feel of 70's action
cinema, like "Bullit" and "Get Carter". Directors like Mike Hodges and Peter
Yates were influences on the nature of the story. He's returning to the
strong silent type that typified some of his best work, really capitalizing
on his ability to command a frame. It's a simple revenge story, but the
emotions are more complex and I hope I've brought a humanity to the tale
that is not normally seen in the genre. I'm a huge fan of Michael Mann and
Cassavetes so you all will have to let me know if some of that shows up in
the tale.
>- I read here (
http://groups.msn.com/joostinbulgarije) that even when
>filming had began, the shooting script wasn't locked, and that Dolph
>demanded more changes, and some locations had still to be found, can you
>tell us more about all that?
Hahaha. Well, Joost(a fantastic guy by the way) is right that there were
last minute changes and re-shoots, but that's common in the genre.
Flexibility is key in situations like these. Every change that Dolph wanted
was born from his strong desire to push us all creatively and make the best
movie possible. He's a perfectionist and it's demanding work keeping up with
him, but in the end you have a product that you're proud of giving your
time, blood, sweat and tears.
>
>- who are the characters played by Olivia Lee and Maria Ilieva, from the
>pics I have seen, it seems that they are dancers in a club and hunted by
>the russian mob for some reason... apparently there's also something about
>Olivia Lee being reunited with her mother...?
Olivia plays "Julia", a girl Dolph (Nick Cherenko) is pressured into
rescuing from the grip of the Russian Mob. Maria plays "Natalya", a whore
working in the Russian club that aids Dolph in the mission. I haven't seen
the cut, but I hear they both did a fantastic job.
>
>- who is the character played by Ben Cross?
Cross plays "Burton", Nick's compatriot in his mission. Like a all of the
characters in the story, he's fallen from grace and this is a proper chance
for redemption for him. Cross is a brilliant actor and good man. Again,
pushing the material to maximize the narrative. It's really freeing to work
with an actor like him. As a writer, it's a great opportunity for
experimentation.
>
>- do you know what was the approx. budget of the movie? around $5 million?
Not sure. All I know is that it cost less than "Revenge of the Sith".
>
>Thank you again for bringing light to our questions on the making of THE
>MECHANIK.
Thank you, Jox. Cheers.