bomaz wrote:Dolph is not always at his best as an actor ...)
I partly blame the hair cut (and the wardrobe), which does not work here. But more seriously, I'm pretty sure he worked quite hard on this one.
This was following MEN OF WAR and JOHNNY MNEMONIC, in the two years (1994-95) he was doing theater workshops and performing one-act plays in NYC with his troupe "Group of Eight" (see the "WATCHING FIRE" thread) and he was determined (not that he wasn't before) on working on his craft as an actor.
And everybody else, from director Ted Kotcheff to producer Silvio Muraglia (who would next pair him with Russell Mulcahy on SILENT TRIGGER), all wanted to make a character-driven thriller that would elevate Dolph above his usual action vehicles (it's not by chance that they cast "serious" European actresses such as Maruschka Detmers and Assumpta Serna to support him). The intentions were there. Same with the creative choice to attempt a '70s musical score, while composer Stefano Mainetti would make a much better impression with his drastically different SILENT TRIGGER soundtrack...
And yet somehow the cooking just didn't take, sadly...
By the time it came out between late 1995 and 1996, the timing was also way off and years too late for the genre and its approach. And it closed the theatrical era of Dolph Lundgren films in Europe (minus ST in Italy).