Ultimate Dolph

Ted Kotcheff’s Hidden Assassin is one of the more surprising vehicles for that loveable lug, Dolph Lundgren. As we all know, while Lundgren is one of the more likeable action specialists of his generation (which automatically puts him in a higher league than Seagal and Norris), his thespian skills have their limits mostly in glowering, looking like the nicest guy ever to bash your head in, and two kinds of smiles, which results in a limited repertoire of roles, so much so that most of his films aren’t even trying to get anything else out of him.

seismicor
How well do you remember filming The Shooter in Prague? Do you have any story you could share?

DolphLundgrenHere
Yeah! It was right after the fall of Communism. It was a rough city in those days. Beautiful, but I remember that there was not a lot of - my favorite food was the beer and soup, hahaha! Because that's the food that was the best. I remember that. I think we shot right at the Palace of the - what was his name now- the guy who started the movement that toppled Communism - anyways, we shot there at the palace, on the ROOF of the palace - I'm trying to remember his name now - anyways, I'll remember his name later, but it was a great city.

With six decades in show business, legendary director Ted Kotcheff looks back on his life

Born to immigrant parents and raised in the slums of Toronto during the Depression, Ted Kotcheff learned storytelling on the streets before taking a stagehand job at CBC Television. Discovering his skills with actors and production, Kotcheff went on to direct some of the greatest films of the freewheeling 1970s, including The Apprenticeship of Duddy Kravitz, Wake in Fright, and North Dallas Forty. After directing the 1980s blockbusters First Blood and Weekend at Bernie’s, Kotcheff helped produce the groundbreaking TV show Law & Order: Special Victims Unit. During his career, he was declared a Communist by the U.S. government, banned from the Royal Albert Hall in London, and coped with assassination threats on one of his lead actors.

With his seminal films enjoying a critical renaissance, including praise from Martin Scorsese and Nick Cave, Kotcheff now turns the lens on himself. Witty and fearless, Director’s Cut is not just a memoir, but also a close-up on life and craft, with stories of his long friendship with Mordecai Richler and working with stars like Sylvester Stallone, James Mason, Gregory Peck, Ingmar Bergman, Gene Hackman, Jane Fonda, and Richard Dreyfuss, as well as advice on how to survive the slings and arrows of Hollywood.