Exerpts:
8. She once tried to fetch then-boyfriend Dolph Lundgren from his Los Angeles home with a gun.
I actually had a gun. It seemed very natural that I would go and fetch Dolph holding a gun. I did so out of desperation — we had been together for years and had made this move to L.A., a place I absolutely loathed, against my better judgment, and then he comes back from being away and Tom [Holbrook, Dolph’s manager] blocks me from even seeing hi. What is going on?
We turned up at the hotel, not to shoot anyone, but to make sure he came with us. We banged on the door of his room. Bang, bang, bang! I’ve got a gun! I’m screaming, “Let him out, you bastard!” It was as though Tom was holding him hostage and we had come to rescue him, hair flying, legs flailing, breasts heaving, guns flashing, music pumping. This was the kind of hysteria that took place in Los Angeles. In one of the many lives I never got to live, another Grace (one who never came true) shot Dolph there and then… And that was the end of the ballad of Grace and Dolph.
10. One time, her producer asked her to come to the studio immediately to record additional vocals for a song. The studio was 15 minutes away. Jones showed up three days later because she was busy cutting/burning Dolph Lundgren’s clothing.
When Trevor [Horn, “Slave to the Rhythm” producer] called me at my apartment, I was having an argument with Dolph. The relationship had reached a turbulent period. Trevor had called because he really needed me to get down to the studio a few blocks away and add some vocals [to “We Need Some Money”] so he could check that he had cracked the rhythm problem — he called just when I was setting fire to Dolph’s trousers. I was in a very bad mood. Trevor said, “I need you now, please get down here.” The studio was only fifteen minutes away from my apartment. It wasn’t like I had to cross the Atlantic.I made it three days later. I had some things I needed to clear up. A few more items of clothing to cut up and burn. When I got to the studio, though, I was in a very good mood. Did he want me on time and in a bad mood, and therefore of no use, or late and in a good mood, and ready for action?
(according to Dolph she was jealous of him spending so much time training with Sly, and the maid called him at Sly's when she burnt the clothes)
http://www.spin.com/2015/09/grace-jones ... -lundgren/