TEMIRLAN wrote:in the age when even a-list stars do tv series...for dolph its a lot better be in tv shows than doing bunch of sarrafini/capaldi dtvs in between big projects like aquaman 2 and ex 4.
Agreed.
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TEMIRLAN wrote:in the age when even a-list stars do tv series...for dolph its a lot better be in tv shows than doing bunch of sarrafini/capaldi dtvs in between big projects like aquaman 2 and ex 4.
savagesketch wrote:Quite different from 15-20 years ago, but nowadays, actors actually prefer television work as opposed to films.
20 years ago, an actor doing TV was considered a death sentence... not anymore. Episodic television is what's driving the market these days due to a number of factors... the writing (at times) is quite good, the production values have gotten higher, and let's face it, audience's attention spans are not what they used to be, so a 30-50 show is more preferable (ironic considering that many love to "binge" on shows). From the actors' standpoint, television is steady work with production values that are often larger than some movies (definitely higher than stuff like THE TRACKER). So it only makes sense that Lundgren would be intrigued by this model and latch onto a promising project. It already sounds better than SAF3, so this certainly sells me. This'll keep him busy for awhile. Best case scenario, his work in this show gets the attention of some other producers, and he gets either MALEVOLENCE or WANTED MAN made. Worst case scenario, those don't get financed/made, but he at least has THE INTERNATIONAL to fall back on. Absolute worst case scenario, the show is cancelled and/or doesn't get picked up, and Dolph resorts back to doing films like THE TRACKER and ACCELERATION.
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