Mosquito wrote:OH MAN!
1. It's not enough.
2. Since you refuse to deliver subtitles or a voice-over, would you puleaaaaze at least write an exectutive summary?
3. Loved that "Mother of all Fake Moustaches".
PS: Bang-A-Boomerang? Fantastic. I'm having an Abba phase myself lately. Since New Year's Eve to be specific. It all began with "Happy New Year" and now I listen to "Abba Gold" almost on a daily basis. Nothing beats Waterloo, Ring, Hasta Manana or S.O.S.. How could I have forgotten *this* song? Yeah yeah, now go ahead and tear me to shreds.
http://www.youtube.com/watch?v=1pS3fndEKyE
I'll do a summary of the last skit (pardon my poor english, I'm in a bit of a hurry at the moment): It's called Ödet Var Min Väg, or "Destiny Was My Path", which is also the name of a schlager from a few years back. Dolph is disappointed that he has not yet found out who is responsible behind the threat against Melodifestivalen (yeah it's all a bit weird), and goes back to the apartment of Lisbet Salander - the main female character of the Millenium-thrilogy - where he is greeted by the character Micke Blomqvist, also from the same novels, but mistakes him for the actual guy that portrays the character, actor Micke Nyqvist. Salander shows Dolph a blog that she claims questions the existence of Melodifestivalen, and Dolph concludes that the "gay-mafia" is behind the threat.
He therefore "infiltrates" a gay bar dressed as ... well

and is taken to the gay "leader", Rickard Wolf, a famous swedish actor and occasional singer who is openly gay. Dolph accuses the gays of making the threat, but Wolf explains that the gays love Melodifestivalen and couldn't possibly be responsible. Dolph is shocked, and disappointed in himself (that he hasn't found the real culprits), to such a degree that he starts drinking, gets drunk (obviously) and has an open-hearted talk with Wolf about his own insecurites, while also managing to subtly insult the gay actor by telling him that (heavily paraphrasing): "I once thought of you as a stuck-up fool, but now I see you're not stuck-up at all!" Then he's encouraged by Wolf, dances to "Bang a Boomerang" and leaves the bar, while Wolf and some guy I think is supposed to be his boyfriend comments on "Dolph coming out of the closet, but too late." Dolphs last lines are not very hopeful, although he mentions that he has one more chance to find the threat against Melodifestivalen, one more week.
There you go

I'm sure, however, it would be a more interesting read if someone with time on his or her hands could make an actual translation of the skits, although I'm willing to write a summary if anyone wants it.