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Lundgren’s presence alone is pretty much what carries the picture but he deserves more and so does his audience.
As always though it’s the underused Dolph Lundgren that turns in the greatest performance. As I stated, by the end of the film you want him to be victorious. His measured and restrained responses play into his nice guy attitude, until he gets you in his grasp. Lundgren has a very menacing look to him and works well as a bad guy. It’s unfortunate that this talent had such a poorly written script to work from, and even more unfortunate is how that script was executed to the screen.
Jox wrote:Finally saw it last week-end. Re-read the screenplay and I must say that much was lost in the process somehow... First of, the security cameras POV and silly USB key were added for the shoot, then some of Spector/Dolph's dialogues and scenes were given to Jaffe/Jon Huertas, also some action was dropped or simplified and some of the backstory and conflicts also went down the drain, leaving us with a product that isn't as bad and some say IMO but certainly deserved better. So what happened here? Chp producers? Schedule was too short? Director (who seemed more at ease on EL GRINGO) Rodriguez got overwhelmed?
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