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Jox wrote:Ted Kotcheff completed his memoirs to come out soon.
Will THE SHOOTER / HIDDEN ASSASSIN be mentioned?
Hard to believe it was being filmed 22 years ago, and that was the last real theatrical release for Dolph in many territories...With six decades in show business, legendary director Ted Kotcheff looks back on his life
Born to immigrant parents and raised in the slums of Toronto during the Depression, Ted Kotcheff learned storytelling on the streets before taking a stagehand job at CBC Television. Discovering his skills with actors and production, Kotcheff went on to direct some of the greatest films of the freewheeling 1970s, including The Apprenticeship of Duddy Kravitz, Wake in Fright, and North Dallas Forty. After directing the 1980s blockbusters First Blood and Weekend at Bernie’s, Kotcheff helped produce the groundbreaking TV show Law & Order: Special Victims Unit. During his career, he was declared a Communist by the U.S. government, banned from the Royal Albert Hall in London, and coped with assassination threats on one of his lead actors.
With his seminal films enjoying a critical renaissance, including praise from Martin Scorsese and Nick Cave, Kotcheff now turns the lens on himself. Witty and fearless, Director’s Cut is not just a memoir, but also a close-up on life and craft, with stories of his long friendship with Mordecai Richler and working with stars like Sylvester Stallone, James Mason, Gregory Peck, Ingmar Bergman, Gene Hackman, Jane Fonda, and Richard Dreyfuss, as well as advice on how to survive the slings and arrows of Hollywood.
“It is a fascinating, startling thing to look over the films Ted has made and realize that he never met a genre he couldn’t conquer. He deserves to be considered as only a very few are: Spielberg and . . . the mind goes blank, because no one other than Steven has successfully ventured into such different terrain, created such a varied body of work, much like his idol Billy Wilder. Ted gave me a shot at the life I wanted; he handed me the greatest role I ever imagined, he set my life on a course that I had only dreamed of, I adored and adore him. I only regret we worked on only one film instead of ten.”
— Richard Dreyfuss, Academy Award winning actor
“I love the book. Clear, concise, full of fun and deceptively brilliant: in among the show business anecdotes is buried a real procedural on the art of directing.”
— George Segal, Academy Award nominated and Golden Globe winning actor
The first Prague Intl. Film Festival earlier this summer drew Hollywood heavies such as Meryl Streep and Dennis Hopper. Two weeks later Mia Farrow watched movies at the nearby Karlovy Vary Intl. Film Festival. So did director Ted Kotcheff, who lensed the Dolph Lundgren political actioner “The Shooter” here.
Kotcheff describes the local crews as “young and willing” while noting a few production problems: “costume departments are not particularly strong” and “they couldn’t get the right vehicles on the right day,” as well as woes carrying over from the old state-supported system, so “you can’t fire anybody.”
But he also cites “production values that are incredible, rights to shoot that are amazing,” first-rate local facilities like the Ytamp Studios, a small studio on the outskirts of Prague and “the best gaffers I’ve ever worked with.” Kotcheff says that in general, the crew “worked their asses off. So it’s hard to fault people when they give you everything they’ve got.”
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