https://www.socialnews.xyz/2018/11/09/c ... hd-stills/
Posting the ones with Dolph here, but there are more:








Press junket:


Moderator: Moderators
Creed II: The Album Track List
Lil Wayne – “Amen (Pre Fight Prayer)”
Bon Iver – “Do You Need Power? (Walk Out Music)”
Crime Mobb & Slim Jxmmi – “We Can Hit (Round 1)”
Eearz, Schoolboy Q & 2 Chainz – “Kill ‘Em With Success”
Nas & Rick Ross – “Check”
Young Thug & Swae Lee – “Fate”
Ari Lennox & J. Cole – “Shea Butter Baby”
Pharrell & Kendrick Lamar – “The Mantra”
Rae Sremmurd & Kodak Black – “Watching Me”
Eearz, Gucci Mane, YG, Trouble, Quavo & Juicy J – “F.I.G.H.T.”
A$AP Rocky, A$AP Ferg & Nicki Minaj – “Runnin”
Tessa Thompson & Gunna – “Midnight”
Ama Lou – “Bless Me (Demo)”
Vince Staples – “Ice Cold (Final Round)”
Ella Mai – “Love Me Like That (Champion Love)”
The Drago's, both Ivan (Lundgren) and Viktor (Munteanu) are an even bigger surprise. If you're going into this looking for straight villains, well, you won't find it here. These are two men looking to be redeemed in the biggest way and face their own pain and confusion in trying to get it. The father-son relationship is explored in a much deeper way than you may expect and you come to appreciate their dilemma so much so that you may be conflicted in who to root for by the end of the film, particularly when we get another surprise visit that rocks their world. I found myself feeling for the Drago's, yet still feeling for Creed as well. It's a wonderful dynamic and creates the kind of tension you want in a ROCKY/CREED film.
“Creed II” is exactly what you want from a ‘Rocky’/’Creed’ film: it’s engaging, emotional, gripping, and entertaining and as a part two nudges the characters forward in all the right ways. At the very least, “Creed 2” should act as friendly reminder and benchmark for genre films, hopeful sequels, and even aspiring athletes: we’re not going to give a shit about that knockout punch to the teeth if you haven’t put in the work first.
That mix of old stories and new characters worked wonderfully in the first "Creed," and serves this movie well, too. It's great to see the grizzly, grindly Lundgren back on screen, and the movie gives Ivan an empathetic back story of national disgrace, exile and a wife (Brigitte Nielsen, also back!) who left him after his humiliating loss to Rocky Balboa.
And Caple does a nice job turning Lundgren’s Drago from a sentient pile of granite into a multidimensional person with relatable goals and mountains of baggage of his own.
Without the work put into the Dragos, the notion of the son of Apollo fighting the son of Ivan could be pretty hokey. Thankfully, Ivan and Viktor are way more fleshed out than any of the Russians were in Rocky IV. Drago has very understandable reasons for training his son and wanting a fight with Donnie, and Lundgren brings genuine pathos to his scenes where he wrestles with his decisions. (Munteanu doesn’t get many lines — just like his pops in Rocky IV — but his eyes are weirdly soulful.) By the end of the film, Ivan Drago seems like less of a villain than a tragic adversary — maybe even a Shakespearean one.
The choice to bring back Drago and introduce his son does pay off in a number of ways, from a restrained turn from Lundgren to an impactful overarching theme of how fathers, living or dead, haunt us all.
(...)
Given the never-ending production line of lazy inferior sequels, it’s such a joy to encounter one that feels necessary. Elevated by a central trio of winning performances and a director who provides equal weight to drama in and out of the ring, Creed II deserves to be cheered.
If Creed is a spiritual sequel to the first Rocky, then Creed II is a direct spiritual sequel to Rocky IV. And, dammit, they pulled it off.
There’s a lot going on in Creed II, more than a movie featuring Ivan Drago really ever needed to have. But at its core, Creed II is about family. It’s about Adonis Creed’s relationship with Bianca and his continuing reconciliation with Apollo. It’s about Ivan Drago and his son, and where the line is drawn when it comes to personal redemption. And it’s about Rocky, struggling with the very few people he has left who he considers “family.” For a movie that features a dramatic fight between people with the last name Creed and Drago, it’s strangely sad and reflective.
Then again, a 2018 movie called Creed II expanding on Rocky IV to become one of the better Rocky movies may be another minor miracle on its own.
And somewhat refreshingly, the Dragos are not portrayed as cartoon villains; the dynamic between an understated and effective Lundgren and the perpetually scowling Monteanu conveys an abyss of genuine shame and emotional longing that neither man seems able to bridge.
Lundgren’s ability to give Ivan depth is especially impressive given how cartoonish the character was in Rocky IV (and the fact that Ivan is, you know, a murderer).
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