Jox wrote:That seems about to change especially with CREED II...
Even for Aquaman, some says he is good. I'll tell you that tomorrow, I'll see him tomorrow. But there will always be the band under eyes
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Jox wrote:That seems about to change especially with CREED II...
I really think just, you know, growing up a child of the '80s and '90s. You know, just my love for filmmakers like Spielberg and Lucas and Tim Burton. And so, you know, when I finally get the chance to make my action-adventure film, I think a lot of what those guys had done had rubbed off on me in a big way. And that's just sort of the spirit that I wanted to make this film with. I mean, even down to the musical score, I wanted to- my inspiration was Jean-Michel Jarre, Giorgio Moroder. So, very sort of '80s sort of electronica. And Vangelis, of course, with what they did on Blade Runner. So, I really wanted that kind of flavor. But, in terms of the tone and the sort of visual look, I pulled all of that from the comic book.
Lundgren and Dafoe both put in satisfying supporting turns. Dolph Lundgren sporting a red beard astride a seahorse monster is not something that should work, but it does.
Also, Dolph? Dolph Lundgren? Is alive? And can act? Whoa!
Jox wrote:GeneralMcFaiL wrote:I can't believe James Wan referenced Johnny Mnemonic... that is fantastic.![]()
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I thought it was MoTU that was the reason for him casting Dolph.
Yes I find it awesome, and it proves James Wan is a real fan! Nobody ever quotes JM, where Lundgren showed off 23 years ago that he could eclipse a prestigious cast with a supporting role...
shooby wrote:PS pour jox : j'ai un doute, une doublure vocale en anglais, c'est bien ce que j'ai mis plus haut ?
The most remarkable aspect, though, is the way "Aquaman" pushes against the idea that every problem can be solved by violence. There are plenty of bruising fights on land and sea, plus laser shootouts and aquatic infantry clashes, but some of the most important showdowns are resolved peacefully, through conversation, negotiation, and forgiveness. Men as well as women cry in this movie, and the sight is treated not as a shameful loss of dignity, but as the normal byproduct of pain or joy. For all its wild spectacle and cartoon cleverness, this is a quietly subversive movie, and an evolutionary step forward for the genre.
"Dolph Lundgren is just killing it these days. The towering Swede nearly swipes the sentimental heart of Creed II in his return as boxer Ivan Drago, and he brings a similar world-weary gravitas to his minor role as King Nereus in DC’s visually dazzling but still disappointing superhero adventure, Aquaman (★★).
Presumably, very few Creed fans were lining up just to ride the Lundgren revival, and even fewer will head into Aquaman pining to see what Nereus thinks about uniting the disparate kingdoms of the seven seas. Yet Lundgren’s performance stands out as one of the more three-dimensional aspects of this flat hero-becoming-a-hero, quasi-origin story, directed by James Wan"
Jox wrote:One thing is that the movie should have been 3 hours (and an extended 4-hour cut) like the LORD OF THE RINGS movies to work with all that's happening in the film and often gets skipped too quickly.
There are almost no transitions or no flow, too many ellipses between sequences, and within scenes and actions themselves. I'm sure ton of exposition scenes and more dialogue deepening the dramatic stakes have been cut and is lacking to be fully involved in the conflicts and characters. If I see it again, and I don't think my brain, ears and physiological sensibility can on a giant screen again, I'd love to see it at a 70-80% slower speed.
Filmmaking-wise, I had not seen a superhero in more than 10 years so I was out of the loop and turned off by all the non-stop gimmicks that would have been laughed at 20-30 years ago.
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