
But I'm writing a film which Mark is exec producing. Another film I have in the works (not with Mark) also has inspiration from Showdown, so it's a great to be working with such an icon.

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https://www.flashbackfiles.com/dwight-little-interviewWas your next action movie, RAPID FIRE, an attempt of Fox to launch Brandon Lee’s career as the next big action star?
Yes, absolutely. At that time, you could make four or five successful action movies in a row if you had a Chuck Norris. There was a demand for these movies. They had seen Brandon in this Dolph Lundgren movie that nobody saw [SHOWDOWN IN LITTLE TOKYO]. They saw the potential. And them being the mercenaries they are, they also saw the Bruce Lee marketing potential. They clearly wanted their own in-house action star. And Brandon was young, handsome, he had the pedigree, he could do the action. Yes, it was a calculated effort to create a star.
https://www.flashbackfiles.com/mark-l-lester-interviewDid you consciously move away from big studio movies after that?
No, I did CLASS OF 1999 because I had been developing it for quite some time, and after that I did SHOWDOWN IN LITTLE TOKYO for Warner. It was after that one, that I decided to set up my own company and make my own movies. It was at the beginning of the DVD era. Lions Gate was starting out. They needed lots of movies. I said I would make them ten films. And I did. I made ten films in a three year period: THE EX, MISBEGOTTEN, DOUBLE TAKE, THE BASE, BLOWBACK and others. I made all these films for Lions Gate when they started out. It was a lot of fun, because it went back to my early days, when I didn’t have a studio telling me what to do.
SHOWDOWN IN LITTLE TOKYO is somewhat of a cult classic now. People are having a ball watching that movie, it’s so over the top. At the time Warner Brothers was less enthusiastic about it.
Yeah, I was going for exaggerated reality. Kind of a pop art thing or a comic book. But Warner took about ten minutes out of the film, which were pretty good actually. They changed it all around. They didn’t do a big release, but I guess people liked it. The studio interference was good inspiration to start my own company.
Jox wrote:Screening at Toronto's Revue Cinema on August 12th (could be on 35mm)
https://www.instagram.com/p/CeoZqIDgtAB/
blackbeltcinema
It's a great honor to unveil this absolutely gorgeous painting we had commissioned by プーチャミン @poochamin_art for our upcoming screening of SHOWDOWN IN LITTLE TOKYO on FRI AUG 12TH at 9:30PM @revuecinema
Jox wrote:Jox wrote:Screening at Toronto's Revue Cinema on August 12th (could be on 35mm)
https://www.instagram.com/p/CeoZqIDgtAB/
https://www.instagram.com/p/Cf6cFtzMtIY/blackbeltcinema
It's a great honor to unveil this absolutely gorgeous painting we had commissioned by プーチャミン @poochamin_art for our upcoming screening of SHOWDOWN IN LITTLE TOKYO on FRI AUG 12TH at 9:30PM @revuecinema
@blackbeltcinema
Just 9 more sleeps until SHOWDOWN IN LITTLE TOKYO Fri Aug 12th 9:30pm at @RevueCinema
Copies of the event poster by @poochamin_art will be available for purchase the night of the event!
Tickets:
https://www.eventbrite.ca/e/black-belt- ... 1775810187
Jox wrote:https://twitter.com/blackbeltcinema/status/1554845464482267139@blackbeltcinema
Just 9 more sleeps until SHOWDOWN IN LITTLE TOKYO Fri Aug 12th 9:30pm at @RevueCinema
Copies of the event poster by @poochamin_art will be available for purchase the night of the event!
Tickets:
https://www.eventbrite.ca/e/black-belt- ... 1775810187
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