Jox wrote:The first working title was SGT. K. (as in "Sergeant Kenner"), then briefly YAKUZA, then SHOWDOWN IN LITTLE TOKYO.
I like the title SGT.K.
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Jox wrote:The first working title was SGT. K. (as in "Sergeant Kenner"), then briefly YAKUZA, then SHOWDOWN IN LITTLE TOKYO.
Q: You’ve worked in the Hollywood system earlier in your career, and now you’re working largely in smaller films. Do you have a preference? Which ones are easier?
ML: They both have their good sides and their bad sides. But the business has changed, and these days you can’t do anything in the studio system if you can’t get it made for $100 million. I like to think of the films I did in the 80s as actor-driven or concept-driven pieces. Things you could do without having to break the bank. I made Commando with Schwarzenegger and Showdown in Little Tokyo with Brandon Lee and Dolph Lundgren. Who needed gigantic effects budgets when you had those guys doing their thing? These days, if you make a film under $10 million, it’s never going to make it into theaters. The good news is you have all these other options for finding an audience. First it was video and DVD, and now there’s VOD and Netflix. Cable, too has become a lot more open to smaller movies. So you can make the movies you want and have a lot of fun and freedom to do it your way, and still make sure that your investors get a return on their money.
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